{"id":4474,"date":"2020-04-21T01:21:59","date_gmt":"2020-04-20T23:21:59","guid":{"rendered":"https:\/\/www.toursevilla.com\/velazquez-pintor-de-pintores-y-sevillano\/"},"modified":"2020-05-04T12:47:07","modified_gmt":"2020-05-04T10:47:07","slug":"velazquez-sevillian-painter-of-painters","status":"publish","type":"post","link":"https:\/\/www.toursevilla.com\/en\/velazquez-sevillian-painter-of-painters\/","title":{"rendered":"Diego Vel\u00e1zquez, sevillian painter of painters"},"content":{"rendered":"\n

The nickname “painter of painters” was given by the French artist Eduard Manet, who deeply admired his work. Manet had the opportunity to contemplate his paintings in the Prado Museum, which houses the most important part of his pictorial career. However, Vel\u00e1zquez was born about 500 km from the court, in southern Spain, in Seville. He never forgot his origins and he signed as “pictor hispalensis”, that is, Sevillian painter.<\/strong><\/p>\n\n\n\n

He was born as Diego Rodriguez de Silva Velazquez, but he is known worldwide by his second surname, Velazquez, according to Andalusian tradition from Portugal.<\/p>\n\n\n\n

He was the eldest son of a Sevillian family of modest fortune and, given his drawing skills, his parents sent him to train as an apprentice at the Seville painter Francisco de Herrera’s “el Viejo”workshop.<\/p>\n\n\n\n


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Painters workshops and academies<\/h2>\n\n\n\n

The bad character of this artist made the young Vel\u00e1zquez at the age of 11 change to another workshop also from Seville that would mark him for life, professional and personal. His new teacher was Francisco Pacheco, painter, polychromator, writer and intellectual of great reputation in Seville in the early seventeenth century.<\/p>\n\n\n\n

Seville at the beginning of the century was still a great metropolis although it was beginning to be punished by the economic crisis. Culturally it was known as the New Rome and literary and artistic gatherings were frequent, one of the most popular was that of the Casa de Pilatos, residence of the Duke of Alcala, in which the Master Pacheco actively participated and perhaps Vel\u00e1zquez himself. There they talked about painting, poetry, history and mythology \u2026 themes that gave our young painter a great culture.<\/p>\n\n\n\n

Herrera was Velazquez’s teacher until he became a professional painter after passing the exam that allowed him to open his own workshop. In addition, Vel\u00e1zquez would marry in 1618 with the daughter of his teacher, Juana.<\/p><\/blockquote>\n\n\n\n

To be a painter they usually started at 10 or 11 years as apprentices in a teacher’s workshop, where they trained. This system came from medieval times and was strongly linked to guilds and artisan work. Then they had to pass a master’s exam, it was then when they acquired the degree of painter and they could already start their own professional career with the right to practice throughout the kingdom.<\/p>\n\n\n\n